Some March Blues Passings:

• March 1st.,2005-- George "Wild Child" Butler
• March 16th.,2015-- Andrew McLan "Andy" Fraser
• March 23rd.,2010--Marva Wright 

​And a Happy St. Paddy's Day !! to ya'.

Blues Trivia For October 2020: This is just going to be a random collection of thoughts that come from the research that goes into what I do, here, at the store, and to put together this blog. The blues is kind of like building a house-- it must have a solid foundation, or what follows will be flawed, or, on a lesser note, never be quite right. Let's go from the top floor now, then descend into the basement. If you get on your computer, listen to Sirius radio, your cable channels, or some other device, you can put together a pretty accurate picture of today's performers. You're saturated with info about them all the time. Now, do the same search for an old-timer, long since gone from us. You'll be doing a lot of looking, as there is so much conflicting info into the early history. One of them might be well-documented, but the next one you look for can't be found. Let's look at an early blues song that's still performed today-- "Catfish Blues". It's most often credited to first being recorded and written by Robert Petway, in 1939. Around those years, Petway travelled, most of the time, with Tommy McClennan. Some say McClennan recorded it first. His recording, however, used a different title, and was recorded in 1942. So, let's dig some more. Ending in 1928, Jim Jackson recorded 6 records, for Vocalion, the first 4 titled Kansas City Blues, the last 2 titled as "I'm Gonna Move to Louisiana". He was a medicine show performer who did these, for a long time, at his shows. The one which was the third one, had the line inclusive of the word "catfish" on it. There is evidence of it being recorded in 1926, under a different title. It's still being performed and recorded today. Jimi Hendrix did it on his blues album. Muddy Waters changed a few of the words in it and recorded it as "Rollin' Stone" (that one aught to sound familiar to you). Most recently, it's been recorded on Alligator Records, by Christone "Kingfish" Ingram. It's been performed by Gary Clark Jr., Eric Gales and Beth Hart, just to name a few. Sound like I'm rambling ? It should, because I am--but, with purpose. It just shows how something that should be real simple, takes off and goes wherever. When you dig into this stuff, be prepared for a long journey !

Some Blues Passings:

• September 3rd., 2003-- Charlie Caldwell
• September 11th., 2004-- Cosimo Vincent Matassa
• September 26th., 1980-- Auburn "Pat" Hare

First off, I'd like to say that I hope that all are doing well amid the restraints of the COVID-19 rules. As you know, many events, in all fields, have been postponed or cancelled. Postponed: maybe they'll be done in the future, but maybe not. Cancelled, they're just gone. All of this has an effect that, in one way or another, touches all who are involved, either directly, or indirectly. Some will have profited from this, while quite a few others will never recover. At any rate, if you can help someone who needs it, please do so--- we'll get through this!

Some February Blues Births:

• February 2nd.,1890-- Horace Sprott
• February 15th.,1984-- Gary Lee Clark Jr
• February 28th.,1934-- Giorgio Gomelsky
  

Answer To The January 2020 Blues Question: The bluesman we were looking for was/is Emery H. "Little Junior" Williams, better known as Detroit Junior, born October 26, 1931, in Haynes, Arkansas. While he was an infant, the family moved nine miles to the north, to Forrest City. In '39 they moved to Memphis, Tennessee, and then on to Pulaski, Illinois, in '43, where Junior was raised by his grandmother. He became interested in music in his early teens. In '47 he moved to Flint, Michigan, where he worked house parties and shows, into '50. In late '50 he worked outside of the music field, in Pontiac, Michigan, and then in Cleveland, Ohio, in '51. He made his first recordings in '52, on the Great Lakes label, in Pontiac, but they were never released. From '52 to sometime in '56, he performed with musicians who were travelling in the area, such as John Lee Hooker, Amos Milburn (the original writer and performer of the song "One Scotch, One Bourbon, One Beer"), and Eddie Boyd. Most of that was done in the Detroit area. In '56, Boyd got him to move to Chicago, hopefully to get a recording contract with Chess Records. While in Chicago, Junior performed with J.T. Brown, Little Mack (Simmons), James Cotton, Sam Lay, Eddie "Playboy" Taylor, Johnny Twist (Williams), and others. During that time, he also toured with James Cotton’s band. He then went on to tour, perform, and record with Howlin' Wolf's band, up to when Wolf passed away in '76. He stayed on with that band for a number of years, The Wolf Gang, who continued to perform Wolf's tunes. As I mentioned in the Blues Question, his career was influenced by his idol, Amos Milburn, who wrote humorous songs about the evils of alcohol. Of the hundreds of songs that Junior wrote, his best were along those same lines. After the Wolf Gang broke up, he returned to Chicago, where he performed on his own, occasionally with others, in the local clubs. In his early career he developed a fan base because of his style of play, and his stage shows. He would play standing up, kneeling, and-- picture this --from underneath the piano (and people think that playing the guitar behind one's head is hard!). Even after he lost a leg to diabetes, he continued to play in Chicago's North Side clubs, such as B.L.U.E.S. and Kingston Mines. He passed away on August 9,2005, at home, of heart failure.

Blues Question For February 2020: This bluesman was known mostly as a sideman, though he did front a band for a number of years. He also owned a Chicago blues club, shut it down, and, some years later, re-opened it. Any idea who this bluesman might be?

Blues Song(s) And Artist(s) For February 2020: The song is "Strange Letter Blues", and the artist is Schoolboy Cleve (Cleveland White), recorded around August of '54, in Crowley, Louisiana, on the Feature label. Cleve did the vocal and harmonica work, with Lightnin' Slim (Otis V. Hicks) on guitar, and Sammy Drake on drums. Listen closely to the words in this song, as they relate what the blues is/are all about. If you don't hear them clearly, look up the lyrics, and you'll get it!

Blues Trivia For February 2020: I thought since the main artist in this month's answer section is a pianist, that I should have another one in this section. Accordingly, this is about Otis Spann, who was the piano player in Muddy Waters' early '50's band. He was recruited for that spot by Jimmy Rogers, who had found him to having been sleeping in his car, because he couldn't get enough gigs to afford an apartment. Since the early blues recordings at Chess Records were building the careers and name recognition of its roster of bluesmen, such as Howlin' Wolf, Muddy Waters, Little Walter, and many others, Spann was also being noticed. He was tapped frequently to be a session player for many of the Chess artists, in different genres, though most of the time he was uncredited as being on those recordings. Those sessions led to Otis being sought after to be a session player for many other artists, on many other labels. Most of the time he was not credited on those either. Here's a little trivia on Otis. If you're familiar with Chuck Berry and his Chess recordings, you know that his piano player was Johnnie Johnson. What you may not know however, is that quite a few of Chuck's recordings used Otis Spann on piano, uncredited yet again.

Answer to The December 2019 Blues Question: The bluesman we were looking for was/is Hammie Nixon, aka Hammie Nickerson, born as Hammie Davis (father was Green Nixon, mother was Martha Davis), on January 22,1908, in Brownsville, Tennessee. He was orphaned at an early age, and was raised, up to age 10, by a white family. He was interested in music at an early age and started playing at parties. He teamed up with a locally performing bluesman, one "Sleepy" John Estes, from 1924 to '27, playing picnics and country dances. Often, the pair went hoboing through Arkansas and Missouri. He worked in '30 and '31, mostly as a farmer, in Brownsville. In late '31 he moved to Chicago, where, up to '37, he worked house parties and street corners, with "Brownsville" Son Bonds, for tips. He recorded blues songs with Bonds, on the Decca label. He recorded more with Bonds, gospel songs, with Bonds being listed as "Brother" Son Bonds. In '35, Hammie teamed up with "Sleepy" John Estes, and recorded on the Champion label. Later on in '35 and '37, the pair recorded on the Decca label (in '34, Decca had bought out Gennett and its' subsidiary label, Champion records). From then, up into '62, he returned to Brownsville, to work mostly outside the music field, but did travel to record with Estes, Little Buddy Doyle, Charlie Pickett, Lee Green, and Clayton T. Driver. One source shows that he recorded with Estes, on the Victor label, in '29, but I find no record of that. Estes did record for Victor in '29, not with Nixon, but with Jab Jones and James "Yank" Rachell, as the "Three J's Jug Band". What I did find is that Nixon and Estes did, in '48, record 2 unreleased cuts, "Harlem Bound" and "Stone Blind", on the Ora Nelle label (more on that label shortly), but that recording also shows an "unknown" washtub bass player. It lists Estes as being on vocal and guitar, with Nixon shown on harmonica. Could it also be Nixon on that bass? His primary instrument was the harmonica, but he also played guitar, Jew's harp, washboard, jug, kazoo, and tub bass. Starting in '63, and from then on, until Estes' died in '77, the pair toured and performed all over the U.S., Canada, and most of the countries of Europe. Many of these performances were recorded and later released by the labels in the countries in which they took place. After Estes' death, Hammie toured and performed with the Beale Street Jug Band, up into the '80's. He suffered a cerebral hemmorage and passed away on August 17,1984, in Jackson, Tennessee. By the way, he was married to Estes' daughter, Virginia Estes.

Blues Question For January 2020: This bluesman played guitar and piano, with piano being his main focus. He was known for his ability as a player, but also for his stage presence and performance thereon. He was influenced by a couple of the greats in blues piano but favored and idolized one in particular. That one influenced both his playing and his songwriting. He wrote hundreds of songs, with many of those covered or performed by some of the leading names in the blues. Any idea who this bluesman might be ??

Blues Song(s) and Artist(s) For January 2020: The song is "Call My Job", and the artist is "Detroit Jr.". This is the original, the 1965 recording of what is now a blues standard. I picked this one as a "tip of the hat" to those who did the "party hearty" thing on New Year's Eve, and took two days to recover, before going back to work.

Blues Trivia For January 2020: Earlier in the Blog I listed a recording by Nixon and Estes on the Ora Nelle label, done in 1948. In 1947, the first issued recording on that label, #711, was done by Little Walter J. and Othum Brown, the "A" side being "Ora Nelle Blues, the "B" side being "I Just Keep On Loving Her". Vocal and guitar on the A side by Brown, with Little Walter on harp and the B side with Little Walter on vocal and harp and Brown on guitar. Two things to note on that record: it was Little Walter's first recording and it was two of the three recordings ever done by Brown. Some sources show that the "Ora Nelle Blues" title was in honor of Walter's girlfriend, while other sources show it was about Brown's girlfriend. Further research, however, has shown that it was to honor a cousin of Idel Abrams (known as "Red" to friends, because of her haircolor), the wife of Bernard Abrams. In 1945 Bernard opened the Maxwell Radio and Record company, at 831-833 West Maxwell Street. He sold and repaired radios and other electrical items. He bought a military surplus record cutting machine and set up an area in the store where blues musicians could make demo recordings. A lot of those recordings went out the door, after the musicians had paid the bill for the services. It didn't take long for him to figure out that there might be money to be made with an actual record label, hence the Ora Nelle label was born, sole distributor being Maxwell Radio Co. He built up quite a collection of those demo recordings and sold them out of the store. Idel handled the sales end of things. During that time, Bernard had bought up one whole block of buildings on Maxwell Street. Some sources show only 4 songs ever pressed and released, while others show 5 and/or 8. There's one that shows 14, including alternate takes of some of the songs. Bernard was quoted as saying that "a bluesman never plays a song twice the same way". One of the bluesmen who recorded demos there was Muddy Waters, who later confirmed that he had taken all his recordings with him when he left the store. He also said, and Bernard confirmed, that he performed on the sidewalk in front of the store, before he became well-known enough to start booking gigs locally. We'll never know what treasures were lost there, as the building burned down a few years later, with lots of demos inside. By the way, that store/recording "studio" was the only store of its' type on the fabled Maxwell Street. We have 3 different dvd's in stock that document the history of that street and the blues men and women who performed thereon, and the "market", some showing a little history of Ora Nelle Records, Bernard and Idel Abrams, and the Maxwell Radio and Record Store.

Answer To The November 2019 Blues Question: The bluesman we were looking for was/is Calvin "Fuzz" Jones, born June 9, 1926, in Greenwood, Mississippi. He grew up on a farm near Inverness. While growing up, he learned to play the violin and acoustic bass. He would later switch to electric bass, which became his instrument of choice. In the following years he worked with many mainstream bluesmen, such as Howlin' Wolf, Elmore James, Little Walter, James Cotton, Luther "Guitar Junior" Johnson, Muddy Waters, and Mississippi Heat. In 1970 he joined the Muddy Waters band, and toured and often recorded with them, through the '70's. In 1980 he appeared in the first Blues Brothers movie, playing on Maxwell Street, outside the Soul Food Cafe. Also, in '80, he joined others from Muddy's band, and formed the Legendary Blues Band, playing bass and, on occasion, doing the lead vocal. Between then and '83, they recorded 7 albums, before they broke up. In '93 he played bass on Mississippi Heat's first album. On that recording, he did the lead vocal on one song, "Ruby Mae", which was written by bandmember Billy Flynn, to honor Calvin's wife, Ruby Mae. Flynn had also been in the Legendary Blues Band, with Jones. Calvin also played in several tribute bands, honoring Muddy, Howlin' Wolf, and the Jelly Roll Allstars. In '99, he recorded with Barrelhouse Chuck, on Chuck's debut album. In 2003, Jones backed Cassandra Wilson on her album "Glamoured". He also recorded with Cassandra on her version of "Vietnam Blues" (originally written by J.B. Lenoir), which was/is featured in the 7- part video story "Martin Scorsese Presents The Best of The Blues". In his last few years, Jones lived in Senatobia, Mississippi. He passed away in Southaven, Ms., on August 9, 2010, of lung cancer and a heart attack. If you read the Blues Question in the November Blog, you'll remember that I said that the town where he was born (Greenwood) should be familiar to all blues fans, as many blues people were also born there. Some of those are Hubert Sumlin, Fenton Robinson, Nora Jean Bruso, Walter E. "Furry" Lewis, Betty Everett, and Eddie "Guitar Slim" Jones. You've probably heard one of Guitar Slim's often-recorded songs (probably his best), "The Things That I Used To Do". If you're not familiar with some of those listed, there is one other person associated with the blues, though on a somber side in reference to Greenwood-- it's where Robert Johnson died.

Blues Question For December 2019: This bluesman started performing when he was 16. He spent most of his career as a sideman to a well-known bluesman, performing on the road, and recording with him. He was a multi-instrumentalist. Though you've probably heard his playing, backing others, but don't know him. Any idea who this bluesman might be?

Blues Song(s) And Artist(s) For December 2019: I must explain this one more than usual, so you can see what I was shooting for. The artist I was looking for is "Big Walter" "Shakey" Horton, when I found this clip. It's a 2-song medley, performed in 1970, in Copenhagen, Denmark, on November 7th. The song was shown titled as "Roundabout Midnight", but was really the "All Star Boogie", as the first song, with the 2nd. one being titled as "That Ain't It", but it's actually "Hard Hearted Woman". The featured players here are Willie Dixon (stand-up bass), "Big Walter" Horton (harp and vocal), Lee Jackson (guitar), Lafayette Leake (piano), and Clifton James (not shown, on drums). This performance shows 2 things: Horton's ability on the harp, along with showing the feeling that real bluesmen have for their musical stories, and why Little Walter was so influenced by Horton's work. Willie Dixon has been quoted as saying "Shakey Horton is the best harmonica player I've ever heard". This medley was done during The American Folk Blues Festival tour of Europe.

Blues Trivia For December 2019: Willie Nix toured, performing as a dancer and comedian, with the Rabbit Foot Minstrels, in his early twenties, during the late'30's and into the early '40's. In the following years, up to the mid-'40's, he most frequently worked the parks and streets in the Memphis area. In '49 and '50, he toured and performed with Sonny Boy Williamson II, Willie Love, and Joe Willie Wilkins, as The Four Aces. Nix recorded on the R P M label in '51, on the Checker label in '52, and in '53 on the Sun label (as the "Memphis Blues Boy"), all in Memphis. In his later years he toured and/or recorded with many of the headliners, such as Sonny Boy II, Sunnyland Slim, Elmore James, "Shoeshine Johnny" Shines, Jimmy Cotton, Big Amos Patton, and Willie Cobbs, playing either drums or guitar, as required. Over his long career, he performed on many radio shows with some of these people, including with B.B. King, on "The Pepticon Boy" show. Here's the trivia: in 1947, for his first radio "on-air" show, he was backing one of the icons of the blues, one of whom I spent time with, talking about the blues and some of it's players, and was a strong influence in starting this store, one who I will call our own, Robert Lockwood Jr.

Some December Blues Passings:

• December 2nd.,2008-- Odetta Felious Gordon, aka "Odetta"
• December 19th.,1989-- Floyd Jones
• December 27th.,2006-- Delaine Alvin "Delaney" Bramlett